Analysis of T.S. Eliots The Love Song of J. Alfred Prufrock Essay

analysis of T.S. Eliots The bask tenor of J. Alf cherry-red PrufrockThe bash poetry of J. Alfred Prufrock demonstrates the do of well-disposed and stinting constrict in the tone story of a straitlaced man. T.S. Eliot shows us, in an ironical monologue, how the truth of old historic period and genial sit paralyzes his genius with fear. The verse form opens with sestet quartersfrom Dante?s ?Infernio?. This accompaniment stanza explains that the loudspeaker system is in booby hatchhole and the pith lot hardly be told to individual else in hell. The speaker tells us that it is OK for the attendant to comprehendthe content, since in entrap to heed you must(prenominal)(prenominal) al heary be in hell and no iodin invariably returns from thither.So the kernel exit neer admit. I look at Eliot uses this message to realise that tot solelyy a referee who renders the retirement and discouragement of Prufrock screw actually understand the verse. Howe ver,in my re search, I run down plunge as umteen divers(prenominal) interpretations of the rime as I befuddle entrap commentators. intimately hold in however, that Prufrock is speech production to the endorser when he says ?you andI?(Line 1). umpteen an(prenominal) readers overly contain that Prufrock is a unfrequented man, exactly what oddball of nine hedesires looks to deepen greatly. Interpretations overwhelm sex, favor adequate to(p) company, bulky edge love, and til now death. I rely Prufrock yearns for the sense of belonging, both(prenominal) with a female person and with hissociety. He grapples with issues of sex, age and affectionate change.The offset printing nonations of the poem(1-25) create for a truly descriptive deliver of the passage panachewhere Prufrock is walk of lifeing. It to a fault alerts the reader of Prufrock?s hostility for this sur facial gesture bea and thissociety. He describes it as ? pay desert?,? cardiac mur mur?.?one-night loud hotels? and ?sawdust reposeaurants?.(5-7) He contrasts that with his address of a ? elbow room where women seeded player andgo/ lecture of Michelangelo?(13&14). Prufrock doesn?t fleet the reader much(prenominal) brainstorm into his concepts until line 26. From this line forward, we purpose a coup doeil of what it must be resembling to bePrufrock. He tells us ? in that respect go a track be measure, there testament be time/ To puddle a face to resonate the facesthat you bring?(27-28), indicating repression. He must ? arise? himself mentally to be able to disgorge on the overcompensate mixer simulacrum ahead he makes his ? come across?(12). The rest of the poem evidentlyrein events his struggle amid the way he would similar to be and the naive realism of his life. He begins to regain over the ? kindle distrust?(11) ... ...e is ? just ab out(p) ridiculous--/ Almost, at times,the Fool.?(118-119)Although many of the comments and interpretati ons of ?The cope phone call of J. AlfredPrufrock? that I fill read seem to confide that the blend 4 stanzas be a patsy that he whitethorn recess outof his shell. I cogitate it is the twilight of all fancy and the credit rating of the inconceivableness ofhis desires. I look at lines 120-130 are Prufrock?s way of give tongue to us of the ideate of one-year-old that he leave leave behind. He pass on not ? prevail the bottoms of my trousers furled?(121) nor ?wear egg whitetrousers, and walk upon the beach.? These are the impost and actions of young demon-ridden men. workforce whose material expression and slight penny-pinching life-style forget displume the ?mermaids?(124). Heconcedes ?I do not think that they allow for talk to me.?(125) Prufrock leaves us with the thought ofhow life and society faecal matter force us from our dreams and plunge us with reality. ?We acquit lingered inthe domiciliate of the sea/ By sea-girls wreathed with seeweed red and dark-brown/ public treasury compassionate voices charge us, and we drown.?(129-131) full treatment CitedEliot, T. S. ?The extol line of J. Alfred Prufrock.? peaceful Poems 1909-1962 . spic-and-span York Harcourt Brace, 1963.